Daniel Day-Lewis Voices Annoyance Over Method Acting Being Equated to ‘Acting Insanely’ – Which Is Exactly Why It Captivates Us
It has been a long while since anyone saw or heard from Daniel Day-Lewis. After he statement in 2017 declaring he would cease to work as an actor, just before the debut of Phantom Thread, Day-Lewis quietly faded from view. However, during his hiatus, his legend expanded further.
The Legend of His Method
Largely, this reputation revolves around his favored style of working. Being an actor who famously immerses himself in his characters – for instance, during Lincoln, he had Steven Spielberg address him as “Mr. President” throughout the shoot – the world has grown more fascinated with how he works. Is it true he really send texts to Sally Field in character as Lincoln? Did he only eat game he hunted during Last of the Mohicans? And did he insist on receiving food via spoon for My Left Foot?
Extreme acting methods: have we fallen out of love with over-the-top performances?
Now, Daniel Day-Lewis has returned to public attention, with some hesitation, for his new film Anemone. And he is using this to vocalise his anger at how method acting is perceived. “I am somewhat annoyed nowadays when I hear various individuals gobbling off and using phrases like ‘gone full method’, which seems suggests that someone is behaving like a lunatic in a drastic way,” he told the New York Times. “Everyone tends to focus on superficial aspects of acting, and these elements typically include some form of self-flagellation or a situation that imposes upon oneself extreme unease or psychological strain. But of course, in the life of an actor, it has to mainly focus on the internal work.”
An Industry Full of Followers
To be honest, it appears like Day-Lewis has emerged from his retreat and found himself shocked by the world that has developed in his image. If you’re regarded as one of the greatest performers to ever work, and your process involves striking a prop to the point of injury (for Gangs of New York) or spending 48 hours in isolation without food or water (during In the Name of the Father), then it stands to reason that other actors will attempt to fill that vacuum by trying to mimic their idol.
Essentially, we now live in a landscape full of half-cocked imitators of Day-Lewis who want nothing more than to show the world the sheer amount of effort they invest in their roles. At the shallow end of this trend there are performers such as Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she dedicated the whole campaign attempting to persuade people that she transformed into functionally Italian over 18 months in preparation.
Additionally, there is Jared Leto, who decided to immerse himself in the character of the Joker (for Suicide Squad) by sending “horrifying” presents to his castmates. These items, according to various accounts, included deceased animals to intimate objects and personal hygiene products, although the actor refuted those worst excesses. Then, of course, there is Jim Carrey, who went so deep as Andy Kaufman for Man on the Moon that filmmakers succeeded in creating a full-length documentary out of B-roll of him making life as impossible as he could for his colleagues.
The Modern Followers of the Method
The main practitioner of the Method currently seems to be Jeremy Strong (once Day-Lewis’s assistant), whose process during Succession was so rigorously detailed that it formed the basis of a critical magazine feature, full of quotes from individuals who were either concerned for his behaviour (“The toll to himself concerns me,” said co-star Brian Cox) or extremely irritated by his actions (“I remember [him] making others roll their eyes,” stated an unnamed co-star).
Daniel Day-Lewis claims he ‘did not plan to stop acting, truly’
There are numerous additional cases. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. It’s quite possible that actor Austin Butler still speaks in the style of Elvis, years following that film came out. Each of these instances, to some extent, aims to evoke the dedication in which Day-Lewis takes his craft.
An Admirable But Uphill Battle
Moreover, while his fightback against method detractors could be commendable, a short publicity tour may prove insufficient to change anyone’s mind, not to mention their practices. Perhaps if he wishes to make audiences recall what method acting is, or to demonstrate what it can achieve, then Day-Lewis’s best bet is to just start making additional movies. Certainly we could all get behind that.